Art can be judged by how well it engages human audiences, because people share enough built-in responses for standards to exist. Brand, status pressure, and artistic tricks distort judgment, but taste can improve by correcting for them.
Good art exists: it engages its human audience especially well
Good taste exists: the ability to recognize art that consistently engages humans
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Humans share built-in responses, so artistic appeal is not random or purely personal
Art should be judged for a stated audience, with the broadest test being all possible humans
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If there were no better or worse in art, a blank canvas would equal the Sistine Chapel
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Faces reliably attract human attention, so paintings with faces usually engage viewers more
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Primary colors, 3D objects, and clear edges engage humans because of shared visual perception
INDEX
001
Beauty can count as a property of objects when humans react to those objects similarly
002
Shared perception creates consistent responses across viewers
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Votes cannot identify the best art reliably
Brand, status anxiety, and artistic tricks distort judgment
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Artists can inflate judgments by setting expectations, like making finished work look quickly made
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Brand overwhelms direct perception. Most people would ignore the Mona Lisa without its fame
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010
People often train themselves to like approved art because they fear seeming uncultured
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011
Repeated viewing and standing close can reduce fame's distortions and reveal a painting itself
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Better taste comes from resisting tricks and escaping local habits through wide travel across cultures and history